I was cleaning out the memory of my phone, erasing my ‘Leonard Nimoy Sings Bilbo Baggins’ and ‘My Buddy Commercial’ ring tones, and also offloading all of the low grade and silly pictures I’d snapped over the last few months. The first one to catch my eye was a snap of a poster I took at a local burgers-and-trivia place that Stretch and I visit called Scorchers (always said with great flair and a slight lisp). This was a poster for an upcoming band night featuring self-styled ‘Cleveland’s Tribute to 80′s Hard Rock’, 1988.

I don’t even know where to begin.
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I’ve been watching the RIAA sort of crash and burn (or at least trip and smolder) in what, as a consumer, appears to be the kind of blunders that dominate best selling books on business a scant few months after some major corporate upheaval (written in the ‘what-not-to-do’ flavor). It seems to me that the music industry wants to spin this whole decade like it was a war between the evil and smelly peer-to-peer-software wielding computer pirates and the Holy Knights of Musicdom, providers of the Healing Sounds of Peace for the worlds impoverished and diseased orphans, who are being systematically decimated by these wanton and gluttonous ne’er-do-well teenaged demons.
There two kinds of people, generally, who buy new gadgets, software, and hardware the moment it’s released. These people used to be called beta testers and they would be paid to use a product for a given amount of time, to try and break it and to return their criticisms to the design team so that improvements and fixes could be made before the product launched.
I saw this book the other day and had to snap a picture. If I was ‘The Artist Formerly Known as The Artist Formerly Known as Prince’, not only would I call my penis the ‘Purple Pirate’ but I would also have a little purple waistcoat and draw on a little mustache and eye patch. Then it’d be time to go hunt for booty!
